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  • LE FILM  v.1.0LE FILM is my digital interpretation of the classic analog Art Deco font of the same name. Le Film (variously known as Film and Initiales Film) was designed by Marcel Jacno and released in 1927 by Deberny & Peignot of Paris. The characters are ...
  • CARMEN CAPS  v.1.0CARMEN CAPS is my digital interpretation of an Art Nouveau font of the same name, as illustrated in the Dan X. Solo books. The swirly backgrounds have great detail, use big as drop caps! Ive also created "inside" and "outside" fonts that can be ...
  • OKLAHOMA!  v.1.0OKLAHOMA was inspired by the opening titles of the classic film of the same name (1955, directed by Fred Zinnemann, art direction by Joseph C. Wright.) A fancy wood type that sings, a nice compliment to the early 1900s setting of the story. If only ...
  • REPENT  v.1.0REPENT was inspired by the work of Jesse Howard (1885-1983), a folk/outsider/naive artist. I first saw his work in Self-Taught Artists of the 20th Century, published as an exhibition catalog by the Museum of American Folk Art. What is striking to me ...
  • ROBERTA  v.1.2ROBERTA is a digital interpretation of Bob Trogmans delightful Art Deco analog original. (See note at right.) Thanks, Bob, for letting me taking a shot at recreating your beautiful font! "I originally hand cut this font in 1962. It is based on a ...
  • SYNCOPATED SCRIPT  v.1.5SYNCOPATED SCRIPT was loosely inspired by the work of the painter Stuart Davis. His jazzy canvases bridge Cubism and Pop Art, often featuring words, written in this style and others. Daviss work always seems fresh and inventive to me. After looking ...
  • VIRILE  v.1.5The VIRILE fonts are adapted from a pair of analog Art Nouveau fonts. The name isnt so good but thats what it was. You can use the fonts separately or use the Solid as a fill for the Open. Each font includes caps, lowercase, numbers, punctuation, ...
  • KING HAROLD  v.1.0KING HAROLD was inspired by the embroidered lettering on the famous Bayeux Tapestry. The Tapestry was made c.1073-83 and records King Harolds adventures and loss at the Battle of Hastings to William the Conqueror, with a special appearance by ...
  • KOCH RIVOLI  v.1.0KOCH RIVOLI is my digital version of Rudolf Kochs original. Although now known as Rivoli, in other references it is called simply "Zierbuchstaben" (decorative book initials), intended as a companion font to Koch Antiqua, which is also known as ...
  • SOLEMNITY  v.1.0By SOLEMNITY is my digital interpretation of SOLEMNIS, an analog font by Gunter Gerhard Lange, 1952. I was unable to find a digital version of this distinctive font, and was eager to work with it. So I drew this one afresh. The name is intended to ...
  • ALSACE-LORRAINE  v.1.1ALSACE-LORRAINE is an experiment. My idea was to combine aspects of a vertical French script and a German fraktur. For the most part, the top is the German and the bottom is the French. A font "mash-up" before that word was coined. Named for the ...
  • BARBECUE  v.1.0BARBECUE was inspired by the font BARB, illustrated in the great Dan X. Solo books from Dover. (Its in "100 Ornamental Alphabets" and in the "theme, topical" section of the "Solotype Catalog.") Other than that, I know nothing about Barb. To me, it ...
  • BLOCKOGRAMS  v.1.1BLOCKOGRAMS is a set of five fonts for easily creating unique 3-letter cube-shaped monograms. The animation above shows the combinations of white and black faces contained in the set of ...
  • CANTABILE  v.2.5CANTABILE began as a "modern," Bodoni, or Didot style. I removed serifs and added balls along the lines of a sort of upright, swash italic. I was thinking Postmodern, but its more fun than that, vaguely musical. Hence the name, which has four ...
  • CATTLE ANNIE  v.1.0CATTLE ANNIE is my unauthorized digital interpretation of the analog font "Les Catalanes." According to ABZ: More alphabets and other signs by Rothenstein and Gooding, it was designed n 1952 by Enric Crous-Vidal (1908-1987) but was never produced.
  • COLLEGIATE MONOGRAMS  v.1.0The fourth set of my popular monograms fonts, this one lets you make 2 letter monograms in the angular, intersecting "college team" style. The set of four fonts includes all solid, all outlines, and two mixtures, as seen in the third and fourth ...
  • DENNEY  v.1.0DENNEY ONE and DENNEY TWO are based on the handlettering found on a number of greeting cards produced by the Barker Greeting Card Co., Cincinnati, Ohio, circa 1969-1974. I had guessed these were the work of Paul Coker, but I have learned this style ...
  • FOAM Font  v.1.0The FOAM fonts began as variations of my Oblique Text fonts. I started over, rounding and reducing the number of serifs. Then I expanded it to a set of six, which looks great italicized too. To name the font, I had a little contest at Sage College ...
  • GOYA  v.2.0The GOYA fonts (including light, medium, heavy, ultra, and inline)were inspired by the logo of the ...
  • HONEYMOON  v.1.0HONEYMOON was inspired by the classic logo of the Holiday Inn hotel chain. Uniform weight, almost completely linking. Italicized it becomes a vertical script (below). Includes upper and lowercase, numbers, punctuation, and international ...
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